PDF Download , by Fred Plotkin Fred Plotikin
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, by Fred Plotkin Fred Plotikin
PDF Download , by Fred Plotkin Fred Plotikin
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Product details
File Size: 2397 KB
Print Length: 506 pages
Page Numbers Source ISBN: 0786880252
Publisher: Hachette Books; 1st edition (July 16, 2013)
Publication Date: July 16, 2013
Sold by: Hachette Book Group
Language: English
ASIN: B00CKUEVQ2
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Amazon Best Sellers Rank:
#157,523 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
This is an entertaining read, and it contains a lot of interesting information. The book effectively communicates the author's enthusiasm for his subject, and it will make you want to listen to the eleven operas discussed. However, it is not without its weaknesses.First of all (and this is the most serious criticism), for insightful musical analysis you will have to look elsewhere; what Plotkin tells you about the music is roughly what you would have noticed anyway on a first superficial hearing. Some of his other comments are rather strange; for example, almost everything is claimed to be driven by the one topic "sex" (but more about this later).Also, curiously for an introduction that aims to bring newcomers to opera, light-hearted, guiltless fun is eschewed in favor of profound suffering. In only one out of the eleven operas discussed (Rossini's Barbiere), no one dies on stage. From Donizetti, we don't get L'Elisir or Don Pasquale; instead, we have to suffer through Lucia. When it comes to Strauss, you were probably looking forward to Rosenkavalier or perhaps hoping for at least Ariadne or Arabella, but of course Plotkin shows no mercy and instead gives us Elektra. Well, you say, then perhaps Offenbach's Tales of Hoffmann will be good for some fun, but Plotkin is quick to point out that this is to be appreciated as a tragic opera.Some aspects of Plotkin's style can get a little annoying. We're constantly being reminded that he is "teaching" us, favorite phrases are "at this point in your training", "as you will learn" etc. You will also be told what to eat before going to the opera.Finally, it seems that Plotkin must have a bet going that in his book he can use the word "sex" more frequently than in the current issue of Playboy Magazine. In this spirit, Fred (as I'm now sure we may call him) right in the introduction lets us know, as is common among serious authors, to the sounds of which love duet he lost his virginity.
The most user-friendly and accessible book about opera I've read so far. Fred Plotkin is impressive not only for his knowledge of opera but for his urbane, positive underlying philosophy: his tolerance, love for the arts and for life in general - the sort of person it would be good to know and to have as a friend. The book begins with some general comments (the most enjoyable is on page 146, the 'essential secret that opera lovers know and those on the outside never suspect'), and then goes on to explore eleven operas in more detail. The point of view is of a genial mentor, guiding newcomers to the opera world through some of the world's most loved operas, using methods that will allow them to grow in confidence and knowledge. I have only one suggestion - the book, published in 1994, needs an update. The advent of Youtube, live streaming and opera in HD has given beginners an economical way to learn about opera. It would be good to have Plotkin's thoughts on how this could be done, and whether he thinks the new technology will threaten or enhance the development of opera in the future.
This is a simple, well-written book, designed for anyone who has ever been interested in opera but never really been able to "get it". Plotkin explains everything you need to know -- the different voices, the history, the basics -- in a way that is entertaining and informative. After listening to opera (with a lot of frustration at what I knew I was missing) for many years, I really heard and enjoyed my first opera, thanks to Plotkin. After reading less than half the book, you will find yourself listening to recordings of great operas and loving them. I have already booked tickets to the next local performances. If you have ever wondered what all the fuss is about opera, read this book. You will be glad you did. It opens a beautiful world that, for me at least, had always been mysterious.
The book offers a clear pathway to, as the title suggests, learning and loving opera. The book is great for anyone just starting to go to operas or someone who enjoys operas and wants a readable description of what makes this art form great.
Lovely book! I am a longtime opera lover and this book added to my enjoyment. Well done Mr. Plotkin!
Love the book but auther is a bit of an opera snob
Good overview on history of opera.
Fantastic book!
I purchased this book to help further my knowledge of opera and to read what Plotkin’s analysis of specific operas was. I guess I knew more than I thought, because this book is VERY simplistic. I don’t believe that a chapter about going to the opera needs to tell you to arrive in enough time to get parking! The book’s copyright is dated 1994 and is certainly outdated in more areas than I thought, though I figured there would be some. I also had a difficult time finding the specific recordings of individual operas with the cast and conductor he wanted, as he referred to specific incidents in those operas. (I did find one for the mere cost of $97...). Anyway, if you know absolutely NOTHING about opera, plays, live music etc, then this book is for you. If you do, then keep looking.
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